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Dance the Fiya Dance

Field notes on family, frenemies, and one fine romance.

by

Nana Nkweti

Performed by

Enih Agwe

Music & Mixing by

Alexis Adimora

Illustrated by

Halimah Smith

Tuesday, Feb. 22

Belinda is teasing me about keeping a “diary” again. And despite the lack of a gold-­tone lock or the unicorn-­fetish cover of my 5th grade diary, she might just be right. I’ve been calling this a journal but even that holdover term from my Anthro training seems too imprecise. Inside these pages are field notes, yes—page upon page of my scrawling on the phonological truncations and morphological hybridizations of broken English—­yet interwoven with these entries are my personal ramblings, half-­remembered recipes, sickening poems about my ex, and never-ending to-­do lists. This book—­diary or journal—­is my mind uncensored. As much as I love my cousin, my family, my flesh and blood, theirs is a meddlesome love. In these pages I place my confidence and confidences, thoughts so private, I long for that tiny gold lock, once more.

Wednesday, Feb. 23

To Do—­Buy milk, sugar (bake scones for Saturday—­don’t forget!), SlimFast, Alli, diet Coke

Reminder—­Appt. at Dr. B’s on Friday—­the gyno question of the century: should I go off birth control? Pro: possible weight loss—­a svelteness that defies my natural curviness. Con: constant reminder of singledom. Exactly whose birth am I controlling anyway?

This book—­diary or journal—­is my mind uncensored. As much as I love my cousin, my family, my flesh and blood, theirs is a meddlesome love.

The Baby Shower

I walk into a room of double-chinned smiles and belly laughs. Every woman—there are only women—looks ample, replete. A susurrus of sighs and coos emanates from their midst. I move closer to investigate. The source? Perpetual, the mother-to-be, happily ensconced in a ribbon-decked place of honor, a ravaged gift box balanced on the rotunda of her tummy. Strewn at her feet, gutted boxes, once fatty with BabyBjörns, day rompers, night rompers, and Diaper Genies.

“Pepe, I done reach,” announces my cousin Belinda. I note the collective eye roll from the women gathered. Belinda’s tardiness is legend, even in a social set where four-o’clock weddings often start at seven.

Chey, Belinda, you di talksay you done reach? You for come and baby done already born, oh!” jokes one older aunty, adjusting the auburn Jheri curl wig capsized on her head.

There is a chorus of laughter. Perpetual, already cultivating an air of maternal stoicism, grants Belinda a beatific smile. Belinda bends to hug her friend, then places our present on the pile of unopened gifts under the watchful eye of Helena, who is dutifully gathering up shredded wrapping and tissue paper in frenzied colors like fuchsia! and magenta!

My stomach is growling, yet I fight the urge to nibble my store-bought scones. Instead, I place them gingerly on a table so heavily laden with food its spindly wooden legs are wobbling, knock-kneed. There is foufou, ndole, groundnut stew, jollof rice, plantains, koki corn, koki beans, achu, gari, and at least three kinds of chicken: stewed, roasted, and a tough bush fowl fried to the consistency of a fist.

My salad days are over.

For three weeks my simple move from New York to Washington, DC, has been complicated by wiring issues in my new apartment. I am staying with Belinda, captive to her many comings and goings. As a doyenne of the metro-area Cameroonian community, my cousin’s social calendar is lousy with cry-dies, born-houses, knock-doors, and their pale American cousins: the funeral, baby shower, and engagement party. With so much on our plate, as it were, I feel weighed down. I need room, a space to write, research in peace, and sometimes, only sometimes, cry out at the ache that was my ex’s parting gift to me a year ago. Steven had wanted me in that ribboned hot seat, but I’d balked—chosen a fellowship in Johannesburg over nappies and onesies.

On a nearby couch a platoon of women swap maternity war stories: one lifts her blush pink silk blouse to reveal a jagged C-section battle scar, another speaks of a third miscarriage followed by the triumphant delivery of six children. Tumbling out are tales of bowel movements on the labor bed, ectopic pregnancies, and attacks of preeclampsia. Calabar chalk quells prenatal nausea, but can also enlever un bébé, did you know? They are veterans. With stretch-mark badges of honor to prove it. I listen to them, rub my empty belly, and find I am nibbling on a scone in spite of myself. Damn.

I done reach,” says a new voice. A particularly pulpy woman strides into the room. There are no eye rolls this time. I watch her flit about, arresting, then resuscitating chatter in her wake. She is all smiles, all dimpled cheeks and dimpled arms jutting from a tight tank top bedazzled with one word: Diva. She is everywhere. She is in front of me now, or rather in front of the food table, where I hover like some wraith. I do feel somewhat uncarnate, hollowed by hunger.

Chop done ready?” She rubs her stomach, eyeing the table, then me, its unofficial guardian. “Ma belly dey bite. You no hear as it dey grumble?

“Well, they haven’t officially opened the table.” I rub my own stomach in pang-filled sympathy. “But you can have one of these.”

She eyes the proffered plate of scones or perhaps my use of “grammar”—standard English—suspiciously.

You be na Belinda ee cousin,” then switching to English, “Chambu, right?”

“Yes, I’m Chambu, uh, Genevieve Chambu Johnson from New York—”

“The language professor?”

“Sort of, not quite. I’m a linguistic anthropologist.” I hurry forward at her blank stare. “I study the relationship between languages and culture.”

“Belinda said you study pidgin . . . but you don’t know how to speak?”

“I do, I do. My pronunciation is just kind of slow, very old mami.” I smirk at my own joke.

She smiles. It is not a nice smile.

I think of the gray-haired mamas I had spent my summers with in the village, mumbling our dialect and pidgin to me as they chewed kola nut—their tongues heavy with its bitter juices, with their bitter tales of feckless husbands, of jealous co-wives, of babies forfeit.

“But you grew up in Cameroon, no be so?”

“Yes, but I’m Halfrican. My dad is American—Brooklyn, born and raised. So he wanted us to go to the American school. No Pidgin 101 classes there. More like people asking me did I speak ‘African.’” I smile.

“Hmmph, an akata.” She says the last word with emphasis. Like my father’s African American otherness explained any and all alleged shortcomings. I find myself wanting to champion my dad—a man who’d so wholeheartedly embraced his wife’s homeland as his own that our village had given him the honorary title Nwafor.

But I don’t. Instead, I turn away and find myself absently nibbling my scone again. Damn.

Across the room, Belinda stands in the gaggle of acolytes that always seems to spring up around her at these affairs. I feel the weight of this woman’s gaze on the side of my cheek, my bare shoulder—scanning me to the bone. I turn to face her. There is a knowing half smile hooked crookedly on her lips. I’ve seen that look before in all its presumptuous incarnations. She’s figured me out, got my number like some scratch-off lotto ticket, laid bare by a grubby coin rub. Pennies for my thoughts.

I put the scone down, my chin up. “What’s your name, again?”

“Catherine Etuge—”

“Well, Cath-er-ine. I’m an a-ka-ta.” I say the last word with emphasis, scone crumbs flying from my gesturing hand. “My two sisters and my brother are a-ka-tas.” My voice and color are rising. “And you’re living in a city full of a-ka-tas, making good money and a living because a-ka-tas died and fought for all Black folks’ rights to—”

“Chambu. Cata. You two have met,” says a cheery Belinda. Her handmaiden, the normally dour Helena, is in tow, eyes gleaming. “Chambu, Catherine is Phillip Nyami’s sister.”

Belinda is eyeing us both now. Me: flushed of face. Catherine: slitty-eyed, mouth agape, gulping in air like a new brand of toddler, tantrum pending.

Phillip Nyami? Ahh. That explains Helena’s gleam, Belinda’s cheer—a man. My cousin fancies herself a matchmaker. Under her roof, her tutelage, I will finally find a husband—correction—make that a Cameroonian husband, a father for my children, a man who will settle down and claim me—unlike my “useless” akata ex. She still doesn’t know it was I who was the restless one.

I shake my head, my anger on mute.

“Well, Cath-er-ine. I’m an a-ka-ta.” I say the last word with emphasis, scone crumbs flying from my gesturing hand. “My two sisters and my brother are a-ka-tas.”

Last night, I’d been shaking my head in refusal. I was in the car with Belinda, driving home from dropping her son off at peewee soccer practice and her daughter at ballet, when she pounced. She caught me unaware, distracted by my meditations on the radio dial, by the rare opportunity to control the music selection.

“Phillip is a good man,” she began. “Don’t you want children? Louchang and Meka ask me all the time, ‘Mommy, when is Aunty Chambu going to have babies?’ They want cousins.”

Low blow, Belinda, using the twins. Low blow, indeed.

“The answer is still no, Bee,” I’d said, exhaling a deep breath. “No more blind dates, no more setups. No more tagging my photos on Facebook for random suitors back home.”

“You and that Facebook. How many months did it take you to remove Steven’s photos from your page? And why does your status still say ‘in a relationship’?”

“Because I am in a relationship,” I declared. “With myself. Best one of my life.”

Belinda shook her head. She worried so. It had taken years of excruciating fertility treatments for her to conceive. Six years ago, she became a manyi, mother of twins no less, accorded all the respect that was due. To her, my half-akata status coupled with a New Yorker’s natural independence of spirit had conspired to support a pernicious state of spinsterhood—never mind I was only twenty-nine. Most worryingly, I was childless, an artificial barrenness that, in her view, threatened to be never ending.

“But Chambu—”

“Why can’t I find a decent radio station down here?” I jabbed at random preset buttons and happened upon a show promo for some comedian cum disc jockey who’d written a book on “how to find a good man” in response to the supposed dearth of “eligible brothas.” Vindicated, Belinda batted my twitchy fingers away from changing the station.

“Phillip’s a medical doctor. A ssssurgeon.” The last part sounded like a sigh on her lips. Belinda’s husband, John, is “merely” a pharmacist, one who’d gone through four grueling years of night school to get his PharmD degree and bragging rights for his wife.

“I’ve already got a ‘Dr.’ in front of my name, Bee. I don’t need to be Mrs. Dr. So-and-So to feel validated as a human being.” I cringed as soon as I said it, though I’d meant every word.

Belinda changed tactics. “He’s from our village. Your mom would be so happy.”

“Um, I don’t think so, cuz. Mom married Anthony Johnson from BK. So, no.”

Na ya loss, oh!” she’d fumed, casting a supremely disapproving eye my way as we turned into our driveway, then softly, “I just want you to be happy, Chambu.”

“Who says I’m not happy?”

To her, my half-akata status coupled with a New Yorker’s natural independence of spirit had conspired to support a pernicious state of spinsterhood—never mind I was only twenty-nine.

Tuesday, March 1

Dear Diary,

I’m not happy. In theory, I know that most of these blues are because of my period. Not quite a full stop, but a pause, a comma, in the otherwise contented flow of my life. I know in my head that they come for me the first of each month, unfailingly, like rent due and government checks. I know the whys and the wherefores but they are little comfort when nightmares of crying babies jolt me awake in the middle of the night. My old therapist would remind me to write through my pain and grief. Instead, I’m taking this homeopathic PMS remedy, heinous-­tasting SL tabs, to help regulate my “low mood” and “irritability.” I had four dissolving under my tongue this afternoon, despite the label’s one-­a-­day proviso. I’d felt no better. The twins cured me somewhat. They are ridiculously upbeat, those two. In bed finally, they wore me out babysitting tonight, but it’s a good tired. They did their homework while I did mine—­grueling final edits prepping my thesis for publication. God, I wish these academic presses had a real budget. Publisher actually wants me to write a bibliography next but I am so going to farm that out to my TA. Back to the kids: they “helped” prepare dinner, roundly kicked my ass in Super Mario Kart, then teased me about it mercilessly as I got them ready for bed. I laughed the first real laugh I’d had in days. I only thought of Steven, of our make-­believe baby, once. So dear, darlin’, luverly diary, I’m not happy, but I’m getting there.

Wednesday, March 16

Dear ???

Contemplated my chicken salad at lunch and wondered how many Weight Watchers points I racked up. Steven had liked me rounded, fecund. He used to squeeze the rolls of fat on my stomach in satisfaction. Squeezing and squeezing like a stress ball. I’m free to lose that fleshy reminder of him now and Bee swears by WW even though, six years later, she’s still carrying some baby weight. I think I’ve lost a couple of pounds since I got off the pill. I have yet to get on a scale, but I caught Bee eyeing my diminishing derriere in dismay. She said nothing but I knew what she was thinking: African men like a woman with meat on her bones—­especially below the tailbone. She said nothing, but at dinner I waved her away when she tried to give me seconds, twice.

In theory, I know that most of these blues are because of my period. Not quite a full stop, but a pause, a comma, in the otherwise contented flow of my life.

The Wedding Reception

I am an American, and therefore, a slut.

This universal truth is the basis, in part, for the rumors being spread about me by Catherine and her cabal. Our baby shower showdown has sparked a turf war of sorts between Belinda and her former frenemy. My cousin is furious. There have been glaring face-offs across plastic-covered couches, across backyard barbecues in the boonies, and earlier today, across several church pews as a happy couple exchanged I do’s.

I find it all curious . . . and slightly hilarious. When Belinda first told me about the gossip, I’d smirked, wondered out loud about the mechanics of being a woman of ill repute. Since I’m only half American, was I only half slut? How did that work, exactly?

Belinda had been less than amused.

This morning, she’d prepared her family for the wedding with the exacting precision of a gendarme general. They wore a uniform: a powder-blue lace attire spun through with gold embroidery for her, a matching boubou for her husband, and the children in dark blue with gold accents. She inspected her troops in grim satisfaction as we headed for the car. I was the lone sartorial deserter in a kelly-green sheath and yellow kitten heels.

At the reception now, dancing, I’m glad I wore comfortable shoes. The DJ is playing some old-school makossa and bikutsi tracks laced with contempo azonto. I’m actually having a good time. The uncles who tended to drone on at the mike had miraculously kept their speeches short. There were no snide whispered asides about the bride’s recent job loss or the groom’s premarital philandering. Even the wedding proper had been nice. I sat through the exchange of vows and felt a sense of reprieve. I can safely attend them now without thinking of Steven and his future wife, the one who’ll oh-so-obligingly get pregnant and goose-step with him down the aisle.

An hour later, people are still milling into the hall. Down here it’s all about the reception, wedding ceremony optional. I am back at our table sipping a glass of merlot, chatting with Belinda and another tablemate, when I see Catherine Etugebe walk in. For a moment, I watch her unobserved, then take the measure of the man beside her. He is striking. And I am not a woman who is easily struck. Is that Catherine’s husband? No—I remember Belinda told me, with savage glee, that Catherine was a wife in name only—not divorced, yet abandoned by her husband for some young akata girl. I had held back a chuckle at that. Oh, we akata women: home wreckers and slatterns, the lot of us.

“That is Phillip Nyami,” says Belinda, catching the direction of my gaze.

His eyes meet mine and linger. His sister notices where he is looking, her mouth an angry slash as she whispers into his ear and pulls him away. He looks back at me once, then again. My face feels flushed. My hand, when I lift up my wineglass, trembles slightly.

“Are you all right? Are you ill? Do you want some aspreen?” Bee’s accent gets thicker when she worries. Aspirin, in any intonation, is a catchall code for the minipharmacy of analgesics, antipyretics, and NSAIDs in her voluminous handbag. I give her a weak smile and she pats my hand. “Don’t let Cata upset you. She’s nothing.”

“I’m fine, just fine.” Then turning to our tablemate, “Uncle, what were you saying about tax annuities again?”

For the next thirty minutes, I listen to the intricacies of the tax code absentmindedly before Belinda excuses us to escape to the ladies’ room. Except for my flush, there is a blessed silence within the cloister of these porcelain walls. Belinda is touching up her war paint at the mirror when Catherine Etugebe marches in with one of her brigade.

How na, manyi?”Catherine says the last word with emphasis, a sneering salute. The latest volley in her campaign of intimidation: telling all and sundry that Belinda is a “fake” manyi—pumped up on drugs to produce a multiple birth à la Octomom. “She be nah one for talk,” Belinda had said. “All her own babies, dey for inside toilet.”

How na, small?” Belinda retorts, her last word recalling the other woman’s former junior status as her “little sister” at the elite girls’ boarding school they both attended back in Cameroon.

I stand next to my cousin and the other woman stands next to Catherine, trying to give me a menacing stare but failing woefully due to a lazy left eye.

Catherine cuts her eyes at me. “How na, akata gal?

Enough is enough. This is one of those moments I wish I was more like my dad’s side of the family. I’d be taking my earrings off and getting the Vaseline. Instead I’m an academic, trained to use my words, so with icy enunciation, I say, “Hello to you too, Catherine and co.” Head nod to her friend. “I was just telling Belinda what a good time I’m having. How welcome everyone has made me feel since I moved to DC. You know how it is when you move to a new place, some people can be so cliquish and insecure, so juvenile.”

I smile.

It is not a nice smile.

“Akata. No try me, oh! You wan begin look at ma brotha—”

Belinda huffs, “Cata! No try me—you no knowsay shoulder no di eva pass head?” Belinda shouts. “Who be you? You thinksay you better pass all man cuz ya papa na bigshot minister for Cameroon! Big compound, big moto, so what? We dey we for America. For America, Cata Etugebe na secretary! Chambu, we di go we.

And with that parting shot, we storm out of the bathroom and make it halfway down the hallway before erupting into giggles. Just like that we are twelve years old again, taking on the neighborhood bully side by side. I miss feeling this close to her.

“Belinda, you should have seen your face . . .” I’m gasping and giggling, clutching my stomach.

“Me? Chambu, I thought you were going to slap her when she called you akata gal.”

“It was close there for a second, Bee.” I loop her arm with mine. “Come on. Let’s go have some fun. You go dance with that handsome husband of yours, and—”

“And you go hear more about tax loopholes.”

Fifteen minutes later, Belinda is on the dance floor with John, the kids are running around playing with other children, and Phillip Nyami is watching me. I refuse to turn and look, but the feeling of his eyes on my body is exquisite.

“Is someone sitting here?” His voice is not quite as deep as I thought it would be, but it’s still very pleasant with a slight accent.

“No, go right ahead and sit, young man,” says my tablemate and self-appointed tax adviser.

“I’m Phillip.” He takes the chair right next to mine. A hair’s breadth away; I can see freckles on the bridge of his nose.

“I know who you are.”

“Yes.” He gives a knowing smile. “I believe you met my sister.”

“I’m not quite sure met is the right word for it.” My smile, an echo of his.

“Encountered?”

“Nope.”

“Came across?”

“Not quite.”

“Bumped into?”

“Ballpark. How about collided, clashed?”

“How about we meet and start fresh? Just you and me. Pretend our relatives haven’t told us everything they think they know about us.” He leans into me, takes my hand. “Hello, I’m Phillip.”

“I’m Genevieve.”

“Pleased to meet you, luv. Heard through the grapevine that you’re new in town.”

“British!”

“Huh?”

“Your accent. I’ve been trying to place it.”

“Nice one. I grew up in Brixton.”

“Oh, are you just here for the wedding?” Is that disappointment in my voice? Weird.

“No, no. I’m in finance. My company just transferred me here from our London offices.”

“London, I’ve always wanted to go. But I’ve been on a ramen noodles budget the past few years, with grad school and all.”

“Grad school?”

“Anthropology. I’m an anthropologist.”

“You must really enjoy this, then.” He sweeps his hand to encompass the circle of dancers forming on the floor as the DJ switches to a ceremonial bottle dance. “Come on, let’s soak up the ‘musical traditions of the grassland peoples of Cameroon.’” The last bit cheekily delivered in a Herzog documentary drawl.

“I’m not that kind of anthropologist,” I say archly, even as I allow him to take my hand and lead me to the dance floor.

Five songs later, we are still on the floor. There’s a drop of sweat rolling down my chest in time with the thump, thump, thump of a reggae beat. I feel the weight of several stares on us and I don’t care. It is the first time in a long time that my body has felt wholly my own. I feel wanton, like a Mami Wata, like the fallen woman I’ve been proclaimed to be. I turn around and fit my backside into the groove of Phillip’s body.

“My sister warned me about the dangers of American girls.” His voice is whispery against the coil of my ear. He pulls me close.

“Did she now?” I smile at him over my shoulder as I settle into him.

I may only be half American, but I rub that half against him for all I’m worth.

I may only be half American, but I rub that half against him for all I’m worth.

Friday, April 29

Dear Journal ‘o’ mine,

Home. I need a home of my own. Since the wedding reception I’d been seeing Phillip, first in my dreams, then in person. The first few weeks were filled with infrequent sightings: like glimpses of a yeti, the Loch Ness monster, or the unicorn of my girlhood diary. There he is at the buffet table at a cousin’s graduation party and there again at a recital. After the third sighting he asked me for my number. Since the fourth, we’ve been like teenagers: long phone calls and necking at the back of parties while our loved ones continue their standoff. I need a home of my own. A love shack. The contractors hit some gas main while tearing through the walls now, so I’m in for further delays. I don’t drive. New Yorker, here. We live too far out to catch a Metro. I’ve resorted to peeking at Belinda’s calendar and creating a time line of places where Phillip and I can meet. Tomorrow, it’s a funeral.

I need a home of my own. A love shack.

The Memorial Service

At the cry-dies back home they have professional keeners—women who, for a nominal fee, will blubber and produce high-pitched wails on cue. I am sure it’s not completely disingenuous. I imagine that in small villages there must be some point of connection, however distant. A cousin of a friend of the teacher who knew the deceased. I imagine they must have some touchstone, some place deep down inside they access to draw forth the requisite sadness. Like an actor getting into character, they find their motivation—a lost love, a found love that went sour. They find that one hurt to make the tears, when they do come, real.

Papa God, we knowsay you di make a way where way no dey. We knowsay you be Alpha and Omega. Through you all things dey possible,” the Nigerian pastor intones in pidgin, his words in a language we all can understand—prayer.

Mr. Elias Fonchuak’s memorial service is a small one. It turns out his family had paid the exorbitant price to ship their loved one’s body to be buried on his native soil. At age seventy-two, Mr. Fonchuak made the same trip back home he had every other year in life. On this last and final journey, he traveled in the plane’s cargo hold instead of an economy-class window seat. Belinda tells me he was laid to rest in the village with all the attendant rites and rituals for funerals. The delegations of mourners from various tribal constituencies. Drumming, dancing, and blowing of horns. Plenty chop, plenty mimbo: libations of palm wine, Guinness, Heineken, and 33 Export. Yet despite the pomp and circumstance, all the public fanfare, I find funerals back home intimate. Mr. Fonchuak’s family had the chance to wash his body, to dress him in his favorite suit themselves, to lay him out in a coffin in their own parlor. They had the chance to really say goodbye. A chance to mourn.

A chance I never had with my own baby when she died.

“Papa God, you be talksay ‘ashes to ashes dust to dust.’ We dey here for this life only at your mercy.”

“You killed my baby.” Those were some of the last words Steven ever said to me.

Have mercy.

I was hitting him before I even realized. Arms flailing.

“Don’t you dare! Don’t you fucking dare blame this on me!” But hadn’t I already questioned myself? Hadn’t I wondered if I’d been working too hard? If I’d been eating right?

Steven grabbed my arms and, none too gently, he shook me.

“You are sick, you know that? What woman, what real woman, doesn’t want to have a baby?”

This negro. Throwing that in my face then. In our early days, I’d made the mistake of telling Steven that sometimes I was terrified of pregnancy, of growing huge and immobile, beached by my own body. I craved movement and momentum in my life. He had teased me then, held me, joked about saving money to travel to Gujarat like we’d read about in the Times—a place where entire villages of Indian women were renting their wombs. It was all a joke till I got my fellowship. It’s only a year, I told him. A lot can happen in a year. I don’t want us to fall apart, he replied. There were tears from me, lots of angst from him, then suddenly everything was fine. He was his cheery, optimistic self again. And me? I was getting plump.

I didn’t think anything of it at first. I was on the pill. My weight always fluctuated. I always ate when I was stressed. I was tired a lot, but assumed it was just the pressure of getting ready to travel, finishing my thesis, the relationship. I assumed a lot till a thin blue line told me otherwise.

“Steven, I’m pregnant,” I blurted out at dinner one night. I hadn’t told him for a month; now I had spurted it out over dim sum. I hadn’t told anyone, not even Belinda. I don’t think I could have borne her joy. Instead I had started writing it all down.

Steven dropped his chopsticks.

“Finally,” he said. This look came over his face then. It wasn’t surprise, it was something akin to relief.

“Finally?” I echoed weakly.

“I mean, it’s just so great. Finally, we can really be together. Really get on with our lives without all the distractions.”

I saw something in him then, something sly, slithery.

I said nothing for the rest of dinner at Hai Fu’s Kitchen, nothing in the ride back to our apartment, nothing until we were alone in bed together that night. Steven had been carrying on a one-man conversation filled with plans—with BabyBjörns, day rompers, night rompers, and Diaper Genies.

I turned to him. Palmed his face with both hands.

“Steven, I want you to be absolutely honest with me. What did you mean when you said ‘finally’?”

Steven was a terrible liar. It was one of the things I had loved about him. He was too good a man to be too good at deception. But that slithery look came again. It took an hour, but he told me everything. The solicitousness—the maraschino cherry ice cream, the hour-long foot massages whenever he thought it was time for my cycle. He’d been monitoring me, my fertility, and tampering with my birth control. There were tears again, lots of angst again as well. I just didn’t want to lose you, baby, he’d said. Lose me, you’re going to lose more than me when I get an abortion! But even as I said the words, I knew they weren’t true. I was so angry with Steven at that moment, but not angry enough to kill our child. Even as much as I hated him right then, I stayed. I was in love. I was terrified. What was I going to do about my life, my fellowship, my graduate work?

Four months into my pregnancy with my daughter, the baby we had decided to name Belinda, Mother Nature answered all my questions for me. I miscarried. When I told Steven, some of the last words he ever said to me:

“What woman, what real woman, doesn’t want a baby?”

“Maybe it’s just your baby. Maybe I don’t want your ‘special delivery,’” I said, knowing this would wound Steven—a postal worker, a man who’d worried I would someday outgrow him. “Maybe I just didn’t want to have a baby with you.”

He shook me then, again, then again, and again, and again.

For months after, I’d been filled with nothing but rage. But I understand him better now. His grief, his need to lash out, his lazy need to place blame. I understand now, but I still can’t forgive.

“Papa God, as we di mourn your son, we knowsay he dey for your side, he dey for heaven.”

I think of my baby Belinda in heaven and I am crying. Teary-faced mourners look at me in sympathy, no doubt thinking how beloved Mr. Fonchuak was by all. I think only of my baby girl and begin sobbing in earnest, my face in my hands. Belinda is rubbing my shoulders. They shake with the force of my grief. From somewhere I feel a strong hand at my back, turning me into an even stronger shoulder. I look up. Phillip. He has come to me, oblivious to the stares. The whispers now.

I put my head on his shoulder and settle into him.

“Steven, I want you to be absolutely honest with me. What did you mean when you said ‘finally’?”

Friday, May 13

Dear Belinda,

My darling baby girl. I am finally in my own home, with my own bed. I feel like you are watching over me now. But try not to watch too hard when Phillip comes over tomorrow night. Before I left her home, Bee told me she felt like she was losing me. I knew she was talking about more than just the move. There was a distance between us. We had come a long way from those little girls who dreamed together, who spoke pidgin English as a secret language in the make-­believe kingdoms only the two of us shared. I have kept a lot of secrets from her, secrets like you. When I told her about you, she was wounded. Hurt by my silence on something so dear, then I told her your name. We are not what we once were but we are getting there.

It’s quiet here tonight. So empty my voice echoes. Sometimes I holler just to hear it bounce off the walls. I don’t mind being alone so much now. I hug myself, grab hold of my chest, my arms, my persistent pooch, and take comfort in the feeling of my own flesh and blood.

***

About the Author

Nana Nkweti

Nana Nkweti is a Cameroonian-American writer, Whiting Award winner, and AKO Caine Prize finalist whose work has garnered fellowships from MacDowell, Vermont Studio Center, Ucross, Byrdcliffe, Kimbilio, Hub City Writers, the Stadler Center for Poetry, the Wurlitzer Foundation, Virginia Center for the Creative Arts, and Clarion West Writers Workshop. Her first book, Walking on Cowrie Shells, was hailed by The New York Times review as a “raucous and thoroughly impressive debut” with “stories to get lost in again and again.” The collection is also a New York Times Editor’s Choice, Indie Next pick, recipient of starred reviews from Kirkus, Publishers Weekly, and BookPage; and has been featured in The New Yorker, Harper’s Bazaar, Oprah Daily, The Root, NPRBuzzfeed, and Thrillist; amongst others. The work features elements of mystery, horror, myth, and graphic novels to showcase the complexity and vibrance of African diaspora cultures and identities. She is a professor of English at the University of Alabama where she teaches creative writing courses that explore her eclectic literary interests: ranging from graphic novels to medical humanities onto exploring works by female authors in genres such as horror, Afrofuturism, and mystery.

Story Credits

“Dance the Fiya Dance”

Published in the 2021 collection WALKING ON COWRIE SHELLS, published by Graywolf Press

Written by Nana Nkweti

Performed by Enih Agwe

Music and mixing by Alexis Adimora

Illustration by Halimah Smith

Executive Producers: Dawnie Walton and Mark Armstrong

Distributed by Lit Hub Radio

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